Another gem from the forums. I actually watched the series when it first came out on TV. Never really thought of it to be cyberpunk, but Intel not only believes it to be, but also thought it to be very good as well, and responders agree with him. I’m going to see if I can acquire the series, so let’s see what intel Intel has…

List of some cyberpunk themes:

Story: 20 years after the last batman episode, Batman now has an advanced exoskeleton-type suit, but is suffering from age. While fighting a group of kidnappers, he has a heart attack and is forced to use a gun to fend of the criminals. He then give up his batman identity and the story jumps ahead 20 more years to year 2039.

Now we shift over to Terry McGinnis, an athletic 16-year-old high school student and ex-troublemaker with a sense of justice. In the pilot episode, Terry saves a fellow passenger on a commuter rail from a member of the Jokerz gang, and then takes on an entire gang of Jokerz to defend his girlfriend, resulting in a high-speed motorcycle chase. The chase ends on the grounds of Wayne Manor, where Terry runs into the elderly Bruce Wayne. Bruce and Terry fend off the Jokerz together, but the fight causes Wayne’s heart condition to act up. Terry helps Bruce back to the manor and, while staying there, he discovers the entrance to the Batcave. Chased out by Bruce, Terry comes home to discover that his father had been murdered by the vengeful Jokerz, and later returns to “borrow” the Batsuit to avenge the death of his father. As crime and corruption are beginning once again to rear their ugly heads in Gotham, Bruce ultimately allows Terry to assume the mantle of Batman.

Overview: We now find gotham to be a huge, sprawling metropolis of skyscrapers, metro-rails, and hover-cars. the wealthy live in the penthouses and crime a poor are left to the ancient alleyways. criminals are now high-tech assasins, genetically-engineered low lifes, CEO’s of megacorporations, and even a few rampant AI.

Visuals: the show is full of grungy buildings, neon signs, and power cables. It also has an interesting mix of japanese and english written on many of the signs. The hover cars and metro rails add a nice touch to the scenes. The show usually takes place at night, adding to the mood, and shows lots of scenes of batman soaring through the skyline with his new flight capabilities.

Conclusion: It is by far one of the darkest shows to ever run on a daytime children’s cartoon channel,

and had surprisingly complex themes for its young viewers. If you’ve never heard of it, just watch the opening video here to see what I mean:

Postscript from Mr. Roboto. A couple of things to watch for while watching this series. First off, some of the old enemies reappear in some form, either as “aged” forms or as “trophies” Bruce keeps.

Second, there’s a season two episode called “Project: Zeta” which lead to a spin-off series, The Zeta Project. It’s about a killer robot who chooses not to kill and runs away with a girl who teaches it how to be human. This series I have got to acquire to review… unless I see it in our reviewer forum first…

Overview: With the upcoming anniversary of 9/11, one has to wonder how far our security-surveillance panopticon prison planet has come. Britons have seen a rise in the Orwellian nightmare, while Americans have had something of a reprieve from the “Patriot” Act, although other forces may be taking over that role. Eyeborgs breeds 1984 with The Matrix to create a new form of high-tech overlord scenario.

I probably would have missed this one if it wasn’t for my DVD club. While the “borgs” of Eyeborgs caught my initial attention, the description of the story is what sold me on it. After watching it, I was glad I had a chance to see it, even if it was direct-to-video. While not up to Terminator or Robocop standards, this is one of the better movies to come down the wires in some time.

The Story: The on-going threat of terrorism has led to the adoption of the “Freedom of Observation” act. This gives the Department of Homeland Security new weapons in their surveillance of US citizens. Among them are the “Eyeborgs,” cameras with robotic legs that allow them to move around. Coordinating them, and the millions of already existing stationary cameras, is the Optical Defense Intelligent Network… “O.D.I.N.” for short.

DHS agent R.J. “Gunner” Reynolds (Paul) is observing a gun sale to a possible terrorist whose targeting President Hewes. The person gets away, but is later caught when eyeborgs see his bike at a punk show where the President’s nephew, Jarett, is playing with his band. The person is captured for targeting Jarett and interrogated at a DHS office. Leaving the man alone for a few minutes, he manages to escape when the eyeborgs in the room attack him. He dies later when the eyeborgs force him over a railing and causing him to fall six stories to his death. It was determined via surveillance cameras that Reynolds left the door unlocked allowing the man to escape, but Reynolds did lock the door. He begins questioning the integrity of O.D.I.N. as other people involved with the investigation die in mysterious ways while the eyeborgs give a very different version of the truth.

O Say Can You See? Just when you the plot is pretty much cut-and-dried, the big twist comes when Reynolds tries to get Jarett from the Presidential Debate. That’s when Reynolds, and the viewers, figure out what the truth is. O.D.I.N. has been manipulating reality, or whoever is manipulating O.D.I.N. to manipulate reality, for their own end.

For the most part the movies works well, but you might see a problem with some of the eyeborgs late in the movie. The colors reflecting from the machines feel “off,” and some of the eyeborgs appear to be two-dimensional sprites instead of 3D during the rescue scene. Probably a result of being rushed to video.

Conclusion: Given the current state of terrorism-generated paranoia, Eyeborgs seems like just the ticket to stoke those tin-foil hat fires. While it may have avoided theatrical release (and competition from Iron Man 2), it shouldn’t be left out of your home video collection, especially with recent disappointments from Hollywood.

Overview. Released fourteen months after Tron, Brainstorm continues the theme of virtual reality’s effect on humanity. Ever since Tron there have been movies about virtual reality, even though it never really panned out the way many envisioned… with the head-mounted displays being the primary reason why. But that didn’t stop Hollywood from envisioning VR. Brainstorm does it a bit better than more recent efforts, even though Natalie Wood died while filming was on Thanksgiving break in 1981. Trumbull was able to complete the movie for 1983 by using body doubles and stand-ins, and offers a dedication “To Natalie” in the credits.

The Story. Doctors Lillian Reynolds (Fletcher) and estranged couple Michael and Karen (Walken and Woods) have created a helmet-like device called “the hat,” which can record the experiences… not just sight and sound, but smells, tastes, etc… of a person wearing it. The recording can then be played back on the hat by anyone else who gets to experience the same sensations the recorder experienced. Word of the hat’s breakthrough allows the group to have a larger budget and access to advanced technologies to make the hat more compact and easier to wear. It soon becomes something like a headband or Walkman-style headphones without the earpieces.

Soon, the US Military wants access to the technology for yet-to-be-specified reasons (Missile guidance? Remote drone piloting?), but Reynolds refuses. She soon suffers a heart-attack while working alone and make a recording. Michael discovers the tape and replays the experience… and nearly dies from it. Despite that, he wants to see what the rest of the tape is about, but he is denied access to the tape and the labs.

Military using VR. What could possibly go wrong? Apart from the possible military applications of the hat, the obvious problem of addiction arises as a colleague has to retire when he experiences sensory overload on a “sex tape” another made and shared. Later on, Michael experiences a past argument with his estranged wife from her point of view. This shows that not only physical sensations can be recorded and transferred, but feelings as well.

This aspect seems to be what the military is most interested in, as Michael discovers the system has been hijacked for “Project Brainstorm” as a torture and brainwashing system. Unfortunately, his son tries the interface while the torture program is running and suffers a psychotic episode.

In theory, a person’s entire personality and psyche could be permanently altered by using the hat to expose them to another person’s past traumas and subconscious nightmares.

But Michael is more interested in finishing Lillian’s final tape to “have a scientific look at the scariest thing a person ever has to face.” This is where Brainstorm departs from sci-fi to metaphysics; Whether there is an afterlife, Heaven and Hell, and all that. That may not be the most cyberpunk thing to deal with, but then dealing with our mortality is part of our humanity whether it’s our own or someone we know.

Conclusion. Somehow, Brainstorm got lost in the shuffle of 80s cyberpunk movies, even though it could have stood up to much of today’s “cyberpunk” fare. The theme of life-after-death captured by technology is eerily in sync with Natalie Wood’s death during a break in shooting. While the visuals do seem dated, they are effective enough to carry us through Lillian Reynold’s final moments.

If you haven’t seen Brainstorm before, or haven’t seen it since it was first released, you should give it a(nother) view. You might be surprised by this little known classic.

Overview: I was looking for the Jean Claude Van-Dame movie Cyborg when I came across this series. Originally made in 2001, Beyond Human has been on the Internet on tube sites like Hulu, and YouTube (part one of nine, “The Cyborg Revolution,” is above), and on singularity and cyborg sites like The Singularity Symposium. A websearch will lead you to many other sites where the entire series can be viewed online or downloaded (read “torrented”) for offline viewing.

Beyond Human is split into two parts with a total of nine “chapters:” The Cyborg Revolution, Invasion of The Inhuman, The Cyborg Mind, The Age of Androids, How to Design A Humanoid, Emotional Robots, Can A Robot Be A Person, Robot Soccer, and Erasing The Line Between Man and Machine. The first three chapters deal with the possibilities of humans becoming cyborgs, with the rest showing the efforts to make robots more human.

The Invasion of The Inhuman chapter may make one second-guess their plans to get brain implants, especially with the comparisons with Tetsuo scenes. This is one of the perils of the advancing cyber-technology; With the technology overwhelm us? Plus the social, ethical, and possibly legal issues raised in the Can A Robot Be A Person chapter shows more potential problems. The final chapter asks “What will happen when robots become commonplace?” Will they be just property, or will they have rights? Will they become cohorts of humans, or their destroyers?

Nine years later, we’re still asking these questions. Obviously, this documentary/series was made to highlight the state-of-the-art at the turn of the 21st century, so it is well past its expiration date. But documentaries like this wasn’t meant to show the current cutting-edge. Instead, I see this as a milestone to show not only how far we’ve come, but how much further we have to go.

Conclusion: Like a time capsule in a backyard or a building’s cornerstone, finding stuff like this a surprisingly fun find. While not meant to be current by any means, it works best as a comparison to where we are.

Mirrors Edge was one of those games I was psyched about for months. I hung on every second of the hauntingly beautiful trailers, did my best to chisel out every little detail I could about the games stirring theme: A lone girl named Faith (who happens to be a Parkour expert) attempting to live free in a society ruled by a psychotic surveillance state.

The product they ultimately delivered possessed all of these qualities in theory, but the theme was more or less ignored in favor of a simplified plot involving a kidnapping by the government, a thinly veiled conspiracy, and a daring rescue. It was about when I was sneaking into the office of a pro wrestler turned ‘goon in a suit’ named “Rope Burn” to interrogate him that I realized the game was getting a little bit off message. Also, the game sometimes seems like it’s trying to convey some sort of political message, but apparently it keeps getting confused on which message it’s trying to send. On one hand, the cuddly nanny state which takes the place of the games thematic antagonist is typically a perversion of an overly liberal society (”you don’t need guns, we’ll keep you perfectly safe, there’s cameras everywhere, self defense is so last century”). Yet halfway through the game your apparent enemy becomes a cartoonishly evil Private Military Corporation (which is why it scores “Medium” on the theme rating instead of “Low”), which is a theoretical scenario associated with an overly de-regulated or libertarian society. It’s also entirely possible that this mash up is entirely apolitical, but the theme seems to be at odds with itself in this regard.

There’s a lot of cyberpunk fluff padding out the games plot, such as hideouts bristling with computers constantly monitoring the city’s surveillance grids and police patrols, the members of the protagonist’s organization all have these cool circuitry tattoos denoting some sort of ‘hacker status’, but it rarely has anything at all to do with the game itself. Also, because the cutscenes are delivered in a trashy 2d flash animation style, it removes these elements even further from the experience.

However, the visuals of the game itself warrant a mention. When you’re standing on the edge of a sky scraper, over looking an endless white city sprouting from the earth like fragments of polished bone, speckled with only sporadic blotches of color (usually propaganda billboards), watching cars drift silently up and down the thoroughfares like drone insects, you’ll feel for a moment that the whole is greater than the sum of its parts.

You can find plenty of reviews that will explain the particulars of gameplay and story in gratuitous detail, but for the purpose of this site, suffice to say the gameplay is fair and with an emphasis on movement rather than combat (though combat certainly exists and is seldom optional).

In closing, Mirrors Edge is still an enjoyable game, even with the afformentioned detractors from the plot and theme. It’s extremely linear and has no significant multiplayer to speak of, so replay is limited. It’s definitely not a game for everyone, and some folks will tire of it exponentially faster than others. If you can forgive it’s short comings, though, somewhere in the midst of a forty foot jump between buildings, with the streets below passing like a dizzy dream and the birds scattering in anticipation of your landing, you might find the feeling the game is trying to convey.