Yes, the story has its faults as Gibson mixed seemingly random tidbits from several of his novels and stories.
But what really makes me like this movie is the complete over the top part Dolph Lundgren did as the preacher.

Apparently they cut a lot of Dolph’s part out. I read an interview with Gibson, where he said that Longo filmed the movie he wrote the script for, but that the studios then mucked with it and completely recut it. It would be great if this ever gets turned into a directors cut, as I would liked to have seen more of Dolph.

The shame about this film is how well it began. Almost every time I watch it, I think, “Why does everyone hate this film so much?” By the end I’m thinking, “Oh.” It has an intriguing first act, but then completely crash lands in the mid section, only to pick up (VERY mildly) for the conclusion. It doesn’t help that it’s perhaps Keanu’s worst performance…well…ever. It’s certainly not a “good” film by any stretch (it’s probably the worst CP film that I own…well, besides MATRIX REVOLUTIONS), and it definitely strays from the original story, but…it has its moments. And, like you said, it’s 100% cyberpunk. It just oozes with CP atmosphere and it at least retains the spirit of Gibson’s brilliant writings. It’s the very definition of an interesting failure.

Yeah, Johnny Mnemonic is not a great movie, although I didn’t have as much problem with Reeves’ performance as I did with the editing. This seems to be the real issue with this movie. And um, Revolutions is terrific.

Terrifically bad…

Hey, it’s just like a Troma movie: everyone admits it’s crap, but secretly you can’t help watching it

I think Case is talking about Revolutions regarding the crap part. I certainly don’t admit Revolutions is crap. Then again, I gave up caring about the “Matrix sequels suck/No, they’re great - You just don’t get it” debate sometime back in 2004. Aside for some acting issues by minor characters and a few dialogue moments, most of the issues come down to preference, not quality. When I put up my Reloaded and Revolutions reviews, I’ll post a thread in the meatspace for those still interested, but I probably won’t be all that thrilled with that discussion happening on the reviews themselves though.

In case you guys didn’t know, there is an extended Japanese cut of Johnny Mnemonic which improves the whole storyline a lot and is definitly worth tracking down.

William Gibson himself has commented on it: “The version relased in Japan is forteen minutes longer. Forteen minutes that weave much more interesting links between between characters, that say longer about themselves, especially Takahashi.” William Gibson in Mad Movies, n°58, November 1995

http://www.imdb.com/title/tt0113481/alternateversions

Hi Dixie, I wasn’t aware of this version. I’d truly like to get my hands on a copy though - if anyone knows where I can find this, please let me know!

I just watched this again having seen it maynyears ago. Yeah, gotta say, Keanu’s worst performace ever.

The R2 Japan DVD of JM doesn’t have English subtitles. Several of the added scenes are in Japanese, so they would be gibberish to most people. Please bear that in mind before ordering the disc.

Check DVD Compare. The Japan DVD does have some extra stuff worth seeing. The music is different, too. Sony changed the music to their lame bands, instead of the music that Longo wanted.

http://www.dvdcompare.net/comparisons/film.php?fid=6477

You can’t judge the film based on the current version. Sony re-shot scenes, used alternate takes, changed the music, cut scenes and added scenes, removed the humor and irony, cut out the character development, changed the ending. In short, they ruined the movie completely. The Japan DVD is better, but it’s still not the director’s cut. I’ve always had a soft spot for JM, even though it’s flawed. It’d be great if Sony let Robert Longo release HIS version, after ruining his reputation with their crummy release.

Hi Just Johnny (LOVE the name! - do you modify for each movie or will you be using this across the site?), I really gotta see this version. Thanks for reminding me.

You should check out William Gibson’s published screenplay, esp if you get the Japanese DVD. It will translate any new dialogue that isn’t translated, and fill in the gaps. The Japanese version isn’t the true Director’s Cut, according to Gibson. But it is very different from the butchered Sony version. I hope Sony eventually publishes the final cut of Robert Longo. It sounds more satisfying and coherent, based on the screenplay.

I still like Johnny Mnenomic very much. I consider it better than the Matrix trilogy because JM is much more realistic than the Matrix trilogy. And the movie is not that bad at all. By the way, the doctor is played by Henry Rollins, a famous singer of the Rollins Band and former singer of Black Flag.

Being better than the Matrix trilogy isn’t hard, since the first s only has a few good scenes, the second only has the highway chase, and the third is full of hot air. You can tell watching JM that it was tampered with heavily. It doesn’t flow well. That isn’t the fault of the writer or director. They shot a completely different movie than what most of the world has seen. Longo should have dis-owned JM and taken an “Allen Smithee” credit, rather than take the fall for Sony’s version that’s not what he intended.

Behind many “bad” movies, you find the studio tampering with a director’s vision. I think JM would be rated much higher, if we had Longo’s version instead of Sony’s. I’ve been hoping for a revised director’s cut, since I first read about the film’s background. Sony ripped out most of the character development, scene transitions, and humor that held the script together.

I strongly disagree on the Matrix movies, especially on the first (masterpiece) and the third (better than the second), but that’s not the topic here. I saw JM several times on TV, and I barely remember anything other than the basic plot, and Lundgren.

whats the i want room service song name and can u download it

Don’t forget there is a small role played by Henry Rollins as the cyberdoc (Spider) who checks out Molly’s dodgy cyberware (is she called that in the movie I remember her name from Gibsons short story).

I too have a guilty soft spot for this film. Mainly because I’m a Gibson fan.

Been meaning to see it again, I saw it 10 years ago in the cinema.
Interesting to see if my memories are better than the movie.

You’re right, there is “something” about JM that makes me return to it quite often, although I’m not a fan of cyberpunk ( actually just starting to get a grip on the term itself ). But I saw it years ago and it somehow caught me. Made me curious about Gibson’s work and so on. And it’s exactly Johnny’s rant on the garbage pile that stuck to my mind from the very beginning. It’s somehow “out” of the movie and yet fitting in…it’s that “thing” about what he thought life was and yet it isn’t… “fabricated reality versus true reality”..ok, I won’t go on. it probably doesn’t make sense anyway…
thanks for posting the reviews, they are helpful for a “newbie” like me !

Johnny’s rant is definitely the best part of this movie. I love it!

I WANT ROOOOOM SERVICE! This film rocks! My favorite scene has to be when he goes onto the Internet

Real quick, I would like to point out that the Japanese version (which was retitled to just ‘JM’ because of the difficulty in saying the original title in Japanese) of this movie is longer by about seven minutes, expanding upon Beat Takeshi (Takeshi Kitano) role, which in my opinion, clarifies his character a little more. I have seen both version of this film and I like the Japanese version better.

Also, though Gibson wrote the screenplay, I believe he mentions in an interview that his version was garbled and dramatically changed by Longo and the studio. To be honest, I don’t remember where I read this, but I recall it quite clearly, as I recall that Gibson has not had the best of luck in Hollywood at all–having his versions of Aliens rejected, etc. So it might be prudent to check the writing credits on this again.

Best regards,
Made in DNA

Meh, looks like ppl already know. Guess I should have read the comments BEFORE posted. =P Sorry for the waste of bandwidth folks. For the record, I can get legal copies of the JM DVD here in Japan (where I live). I am happy to help people get copies.

Made in DNA, Region 1 or Region 0 copies of JM? I am definitely interested in purchasing one.

I hate Hollywood. Again another attempt to thwart what people love about the genre (And by thwart I mean completely F**k up). I was horny for the girl with the whooping cough but Keanu has a real tendancy to stuff up his lines. Not his fault really he just chooses bad directors to work with (eyes roll the other way). Beat Takeshi rocks I’ll have to watch it again for that fact alone. As for Dolph um let’s just leave that guy in the eighties shall we?

SFAM I agree with you on the “I want room service scene” But I would have been just as happy if another actor said those lines - The writing is Gibson - Gibson whilst not being a god or anything close to a god, is definatly worthy of being called the greatest cyberpunk fiction writer of the 20th century. After all he coined the term “cyberspace”.

Com.

Hi Com Wedge, I really liked Keanu on this. The problem was the script - apparently they hosed Gibson’s script in favor of something else entirely. But yeah - I’d bet money that the room service line is Gibson unaltered!

For anyone who’s seen this, you will remember the “I want room service” scene. I still love that!

I just saw this movie for the first time last night. I thought it started off bad,and then the acting got better before the first 16 minutes elapsed. Overall, I quite liked it. And I agree with you; for my money, the “I want room service” bit is the best line in the movie.

Wasn’t a bad in terms of a sci-fi flick… I can’t remember alot of it, but I remember being willing to watch it more than four times, so it must have been good. It’s probably what got Keanu considered for the Matwix.

I have the Johnny Mnemonic Japanese Cut DVD. DNA is right with only 7 mins longer but there are many alternate versions of scenes used plus some footage and line are cut out. The cuts actually make it a better and this version makes Johnny actually HAVE character development! Plus my version has subtitles for the Japanese speaking parts.

Co Attican, do you have a copy of the Japanese Cut you’d be willing to part with?

Follow the link to my website and contact me with info from there.

I tried, but couldn’t find a link to your email or any other contact information.

At the bottom under the Power Glove section there is a contact me link, follow it and use the e-mail, AIM or Yahoo! IM. Don’t bother with ICQ.

How I found out there is this ‘alternate’(basically I would call it a director’s cut, but Gibson would dispute that) version was when William Gibson had written a reply to my questions about JOHNNY as a film & NEUROMANCER’s fate on celluloid. I finally attained a copy, but sadly it is pan & scan video released through Toho, it is also on laserdisc(I have no idea about a dvd release).

From what I know/can gather first time feature film director Robert Longo(a famous New York artist well-known for directing MegadetH’s ‘Peace Sells’ video) had gained about 30-40 lbs while working on this film because of the stress involved(he & producer B.J. Rack had ‘differences’ with Rack leaving in the process). Longo was in constant contact w/ Gibson @ least 3 x’s a day faxing & whatnot, however during it’s editing process the studio suits supposedly ripped the film from his artist hands. Having said that I’ll get to the “meat” of this particular nippon release…

I believe THIS version is the one Robert had intended to release & is closer to Gibson’s vision in the short story(found on the short story collection BURNING CHROME which also featured NEW ROSE HOTEL the “other” movie made from a Gibson story).

Now you WILL notice there are slight differences from the short story, the lovely lass ‘Jane’ is not named ‘Molly’(Molly Millions to be exact) whom is also featured in the novel NEUROMANCER. This is because NEUROMANCER was still held by the original company who bought the cinematic rights. You will also notice(if you read the short story) there is no ‘Killing Floor’ where the LoTeks inhabit, instead this replaced by ‘Heaven’ this is basically melding Gibson’s second trilogy VIRTUAL LIGHT & MNEMONIC’s storylines to broaden it to a feature film length. Now many may make fun of Keanu’s robotic acting in this, but you have to understand that this is actually INTENTIONAL. The character of Johnny is meant to be ‘robotic’ in his introduction, it is not until his bogus cyber journey molds him back into what he once was… I think the Japanese translation highlights this beautifully.

The differences are many, the opening crawl is altogether different(wording of intro with white lettering & no extra added fx as they roll), more scenes showing the Yakuza, Takeshi, his daughter(in various media form; holo, video, etc.), Street Preacher preaching(one inside his church). But the BIGGEST difference(to my delight) is that ‘Jones’ the code-breaker dolphin, just like in the short story is still a junkie war veteran. There is also much more violence in this version which made the brass cut the film to garner a ‘R’ in the States. Also cut songs & newly added songs from rock bands, plus the major difference which adds to it’s feel is a different composer Mychael Danna(no Brad Fiedel as in the American & International versions which Sony opted for, he is best for known for his TERMINATOR & TERMINATOR 2: JUDGEMENT DAY scores) also a third soundtrack was done by cyberpunk band Black Rain which can be heard in this alternate, which is available on cd if you look hard enough.

Co Attican, sorry to keep bothering you about this (and maybe it’s just the way my page is loading), but I swear there’s no contact info. There’s a blank space that’s says “Where are we going to?” when I click it and then a counter which is perpetually rolling, then ads for a “Star Wars” website and that Wal Mart documentary. I’ve highlighted the entire page and couldn’t find anything…like I said, maybe it’s just the way it’s loading on my comp, but…

Again, apologies…I’ve just long been desiring to see the Japanese Cut of this film. I talked to another person on here about getting a copy, but they didn’t come through for me. If you’d like to contact me, my email is darkmanpoex@yahoo.com. It would be much obliged.

I’m beginning to think no one actually has the Japanese Cut…perhaps it’s just an out-of-control rumor or urban myth. Everytime it seems I get close to seeing it, the person who’s my “connection” vanishes from the face of the earth. A conspiracy to keep the JC from ever being actually seen by anyone? Hmmm…

Well now that it’s coming to you, once you’ve seen it give people your thoughts.

With all the data leakage in Johnny’s head, the data doesn’t get corrupted. Outstanding.

if a movie’s bad, a different cut doesn’t make it good.

Meh.

Co Attican…um…huh?

Case? Wasn’t it you that I send the DVD too?

I know some people are wanting the music from the “I WANT ROOM SERVICE” scene
and if im wright it is Send It Out - Brad Fiedel off of the Soundtarck. If you want it i can try to get it to you.

I know that a few years ago the lads over at originaltrilogy.com made their own custom version of the japanese cut by adding subtitles and the like, it’s probably available on some torrents.

I just ripped and uploaded a copy (eng no subs dvix) if anyone is interested.

torrent here : http://www.imdb.com/title/tt0113481/

oooops my bad, just noticed the link above is wrong DUH! http://www.mininova.org/tor/798543

Have you seen http://isohunt.com/release/78805/johnny+mnemonic (Johnny Mnemonic Japanese Extended Cut)?
10 minutes longer than the US/EU cut (though I was pretty sure I had heard of a much longer japanese cut, something like 30 or 40 minutes longer than the US/EU version).

By the way I think the most interesting piece of dialogue in Johnny Mnemonic was the “You know what’s causing it? This is causing it. THIS IS CAUSING IT! INFORMATION OVERLOAD! […] Poisioning the airwaves - technological F*CKING SOCIETY …” connecting the epidemic to the technological world (perhaps a small note about the electrosensitivity problem that really started to emerge in the 80’s and early 90’s).

“get your VCRs ready” for this commit. Seriously, this movie deserves more than a 6/10!

No, I think 6/10 is just about right.

Agree with Rydell only if I compare its rating to another ones I’ve seen on the site…

sadly enough… I’ve always liked this film more than Bladerunner and could never see why bladerunner got so much hype…

I still have my “Hack Your Own Brain” T-Shirt. Srsly.

A spectacular failure, but a big guilty pleasure nonetheless.

This is one of my favourite movies and the best cyberpunk movie ever made imo. Brilliant aesthetics that just feels more cyberpunk than any other movie really. I guess this is close as we are gonna get to a Shadowrun (The epitome of cyberpunk) movie.