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Avatar (not 'the Last Airbender')

 
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Avatar (not 'the Last Airbender')
 PostPosted: Wed Feb 21, 2007 5:11 am Reply with quote  
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  hughie522
Meat

Joined: 10 Aug 2006
Posts: 9
Location: Australia

'Avatar' is the Asia-Pacific title of a 2004, English-language film known otherwise as 'Cyber Wars', and one of the few cyberpunk films my local video shop feels that it should stock. Why I think its deserving of a review, I don’t know, but here goes:

Avatar

Year: 2004
Directed by: Jian Hong Kuo
Written by: Christopher Hatton
IMDB Reference: http://www.imdb.com/title/tt0270841/
Degree of Cyberpunk Visuals: High
Correlation to Cyberpunk Themes: High
Key Cast Members:

    Dash MacKenzie: Genevieve O’Reilly
    Victor Huang: Luoyong Wang
    Joseph Lau: David Warner

Rating: 6 out of 10



Overview: Few would consider Singapore to be the home of cutting-edge science fiction and even less would be swayed by the island nation’s first science fiction film, ‘Avatar’. the first forty minutes are cringe-worthy; poorly constructed characters, dodgy VFX and some of the worst dialogue outside a Ishiro Honda film are likely to put many viewers off straight away. However, ‘Avatar’ offers a little more than your cookie-cutter tale of good vs. evil wrapped in a sleek (if not cardboard-like) sci-fi setting. Transhumanism, corporate greed, social engineering, cheating death – all feature in an interesting little science fiction romp that unfortunately suffers from a very limited budget. Our story begins…



Synopsis: In the early 21st century, the entire free world is connected through the CyberLink (think ‘internet meets cyberspace’), the backbone of all communication and financial trading (ie. the stock exchange). the influence of the CyberLink is most felt in the city-state of Sintawan, a sprawling metropolis where corporate greed and personal gain rise above all else. Men (and women) such as Joseph Lau (David Warner, ladies and gentlemen!) are practically Gods over their own domain, the CyberLink ensuring their continued dominance over Sintawan through the megacorporations. Five megacorporations in particular – one of which is owned by Lau - appear locked in an epic game of wits with the people of Sintawan as the chess pieces.



Not that the people actually realise this, oh no. They are too busy with their own private agendas to even notice! Although a vast majority of CyberLink users are legitimate, illegal users do exist and often use ‘SIMPLANTS’ to hide their true identities (sort of like using a disguise and a false ID). ‘SIMPLANT’-users are often tracked down by freelance bounty hunters such as Dash MacKenzie (O’Reilly) or, more commonly, by Ident cops such as Detective Vic Huang. Dash is contacted by Joseph Lau – as are the Ident Police – to track down an illegal ‘SIMPLANT’-user, Edward Chang. It seems straightforward enough, until Dash and Detective Huang discover a massive conspiracy involving the CyberLink, Joseph Lau and the other megacorporations. This game just got deadly…



Analysis: To be frank, ‘Avatar’ is hardly ‘award-winning entertainment’ (though apparently it has already picked up two at a Spanish film festival) and will not blow anyone’s socks off. It is not destined to become a sci-fi classic or even a cult film, and is likely already forgotten by those that noticed it to begin with. Though it is not without its merits; the technology is fantastic: holograms are often used to hide the truth (such as disguising the fact that a prominent, five-star hotel is in desperate need of an exterminator and a few coats of paint), handheld communicators for video calls, micro-scale robots disguised as insects (such as beetles and dragonflies) that are used to project holograms and undertake surveillance, the concept of people that live inside the CyberLink and those that have augmented their bodies with technology (such as my friend below)…it is absolutely incredible that so much was achieved on such a limited budget.



the Bottom Line: If you watch this film as I did – whereby I was expecting your typical, low-budget sci-fi action romp – then you might be pleasantly surprised. Though not that greatly. ‘Avatar’ is a film possibly best suited to die-hard sci-fi fans with no sense of taste (like moi) and who are easily impressed by a few interesting ideas and flashy set pieces (also like moi). Otherwise, steer clear and stick to the bane of ‘thinking-man’s science fiction’ (yes, I am referring to ‘the Matrix’ sequels). ‘Avatar’ has plenty of ideas, though permitting it any more than six stars would be a crime and an insult. the bottom line: CONSUME AT YOUR OWN RISK.[/img]


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 PostPosted: Wed Feb 21, 2007 4:14 pm Reply with quote  
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  sfam
The Architect

Joined: 01 Jan 1970
Posts: 1228
Location: Northern VA

Hi Hughie522, awesome! Would it be possible to expound upon some of the interesting thoughts you see from this movie? You have it listed as "high" on the themes scale. If so, hopefully Cyber Wars prompted some interesting musings from you.


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Yes sir, I can boogie...
 PostPosted: Thu Feb 22, 2007 1:31 am Reply with quote  
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  hughie522
Meat

Joined: 10 Aug 2006
Posts: 9
Location: Australia

Some random musings full of plenty of Earth-shattering ***SPOILERS***!

Well, potential ***SPOILERS***...

Ravers: Ravers are part of Sintawan’s subculture. Augmented human beings with a gang mentality, they are fiercely anti-corporate and anti-government. Ravers are all connected through a telepathic link-up that is separate from the CyberLink and frequently use ‘crash-bangs’ (handheld electromagnetic pulse devices) to damage the city-state’s infrastructure (ie. at one point in the film an organised group of ravers attempt to take down Sintawan’s mass transit system and partly succeed). All appear to have the same ‘left-brain implants’ that have an almost ‘retro’ feel to them. Possibly the coolest part of the film.

City-states: There already exists cities with populations and gross domestic products (GDPs) greater than that of most third- and second-world countries. Sintawan appears to be governed by an organisation similar to the United Nations, though the corporations have been challenging this seat of power for some time. It is not too far fetched to stipulate that a large enough city (such as New York) could break off from the mainland and declare itself an independent state in the near future.

Avatars/Holograms: Though never referred to as ‘holograms’ as such, these feature predominantly in the film. For example, one of the corporate heads is suffering from terminal cancer and has had his body put in a state of hibernation. His mind, however, remains fully function and an ‘avatar’ (a holographic representation of him) continues to act as the functioning head of the corporation, albeit only within the confines of his office. As mentioned before, holograms are also used to ‘cloak’ certain objects and sometimes create very believable deceptions (such as the six-star hotel).

Surveillance and ‘Bugging’: Mini-robots disguised as very believable imitations of dragonflies (and to a lesser extent, beetles) are used throughout the film for audio and visual surveillance and the projecting of holograms. If you think that you have been ‘bugged’, then you are probably right!

the Spirit and the Flesh: Several characters (and one in particular) practically live inside the CyberLink. One such character’s body is a complete mess (he is severely overweight and is always ‘jacked in’) while his ‘spirit’ seems almost free within the virtual confines of the CyberLink. the CyberLink also offers a sort of perpetual ‘afterlife’ for those who have died in the real world (much like Armin Mueller-Stahl’s character in ‘the Thirteenth Floor’).

Social Engineering: Suppose that chaos theory is true; that every action and every decision radiates outwards and has an effect on other things and other actions and other decisions, exponentially increasing as it pushes out. Now suppose that chaos theory is somehow controlled. That someone higher up is pushing all the buttons, willing us into certain actions and certain decisions that is slowly shaping our culture. Now imagine that person ‘higher up’ is one of five corporate heads, who are all out to win a game of wits with human beings as the game pieces. Scary, no? This is the BIG issue in ‘Avatar’, and the one that ninety percent of the film is structured around. So what if the game has brought great prosperity to the people of Sintawan; it’s still motivated by greed, is it not? Is destroying the game worth the cost destroying modern society? You decide.


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 PostPosted: Thu Feb 22, 2007 11:22 pm Reply with quote  
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  sfam
The Architect

Joined: 01 Jan 1970
Posts: 1228
Location: Northern VA

Posted! Thanks so much! If there is a website or something you want your nam linked to, just let me know. I also posted some additional thoughts, and took some more screencaps to go with your other musings.


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 PostPosted: Sat May 08, 2010 10:13 am Reply with quote  
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  borrows123
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Joined: 08 May 2010
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I really like the advancement in the movie and the graphics are awesome..
What else I can say...
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 PostPosted: Wed Dec 18, 2013 11:07 am Reply with quote  
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  BlueLotus
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Joined: 11 Dec 2013
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All I know is the last airbender and the Avatar by james camaroon. So what is this film all about? I hope this one is as good as the first two movies I said. I am going to watch these movies right away.





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Re: Yes sir, I can boogie...
 PostPosted: Mon Dec 30, 2013 11:12 am Reply with quote  
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  superman7
Meat

Joined: 30 Dec 2013
Posts: 2

hughie522 wrote:
Some random musings full of plenty of Earth-shattering ***SPOILERS***!

Well, potential ***SPOILERS***...

Ravers: Ravers are part of Sintawan’s subculture. Augmented human beings with a gang mentality, they are fiercely anti-corporate and anti-government. Ravers are all connected through a telepathic link-up that is separate from the CyberLink and frequently use ‘crash-bangs’ (handheld electromagnetic pulse devices) to damage the city-state’s infrastructure (ie. at one point in the film an organised group of ravers attempt to take down Sintawan’s mass transit system and partly succeed). All appear to have the same ‘left-brain implants’ that have an almost ‘retro’ feel to them. Possibly the coolest part of the film.

City-states: There already exists cities with populations and gross domestic products (GDPs) greater than that of most third- and second-world countries. Sintawan appears to be governed by an organisation similar to the United Nations, though the corporations have been challenging this seat of power for some time. It is not too far fetched to stipulate that a large enough city (such as New York) could break off from the mainland and declare itself an independent state in the near future.

Avatars/Holograms: Though never referred to as ‘holograms’ as such, these feature predominantly in the film. For example, one of the corporate heads is suffering from terminal cancer and has had his body put in a state of hibernation. His mind, however, remains fully function and an ‘avatar’ (a holographic representation of him) continues to act as the functioning head of the corporation, albeit only within the confines of his office. As mentioned before, holograms are also used to ‘cloak’ certain objects and sometimes create very believable deceptions (such as the six-star hotel).

Surveillance and ‘Bugging’: Mini-robots disguised as very believable imitations of dragonflies (and to a lesser extent, beetles) are used throughout the film for audio and visual surveillance and the projecting of holograms. If you think that you have been ‘bugged’, then you are probably right!

the Spirit and the Flesh: Several characters (and one in particular) practically live inside the CyberLink. One such character’s body is a complete mess (he is severely overweight and is always ‘jacked in’) while his ‘spirit’ seems almost free within the virtual confines of the CyberLink. the CyberLink also offers a sort of perpetual ‘afterlife’ for those who have died in the real world (much like Armin Mueller-Stahl’s character in ‘the Thirteenth Floor’).

Social Engineering: Suppose that chaos theory is true; that every action and every decision radiates outwards and has an effect on other things and other actions and other decisions, exponentially increasing as it pushes out. Now suppose that chaos theory is somehow controlled. That someone higher up is pushing all the buttons, willing us into certain actions and certain decisions that is slowly shaping our culture. Now imagine that person ‘higher up’ is one of five corporate heads, who are all out to win a game of wits with human beings as the game pieces. Scary, no? This is the BIG issue in ‘Avatar’, and the one that ninety percent of the film is structured around. So what if the game has brought great prosperity to the people of Sintawan; it’s still motivated by greed, is it not? Is destroying the game worth the cost destroying modern society? You decide.


I hope this one is as good as the first two movies I said. I am going to watch these movies right away.
All I know is the last airbender and the Avatar by james camaroon. So what is this film all about?
_________________
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Re: Yes sir, I can boogie...
 PostPosted: Mon Dec 30, 2013 11:12 am Reply with quote  
Message
  superman7
Meat

Joined: 30 Dec 2013
Posts: 2

hughie522 wrote:
Some random musings full of plenty of Earth-shattering ***SPOILERS***!

Well, potential ***SPOILERS***...

Ravers: Ravers are part of Sintawan’s subculture. Augmented human beings with a gang mentality, they are fiercely anti-corporate and anti-government. Ravers are all connected through a telepathic link-up that is separate from the CyberLink and frequently use ‘crash-bangs’ (handheld electromagnetic pulse devices) to damage the city-state’s infrastructure (ie. at one point in the film an organised group of ravers attempt to take down Sintawan’s mass transit system and partly succeed). All appear to have the same ‘left-brain implants’ that have an almost ‘retro’ feel to them. Possibly the coolest part of the film.

City-states: There already exists cities with populations and gross domestic products (GDPs) greater than that of most third- and second-world countries. Sintawan appears to be governed by an organisation similar to the United Nations, though the corporations have been challenging this seat of power for some time. It is not too far fetched to stipulate that a large enough city (such as New York) could break off from the mainland and declare itself an independent state in the near future.

Avatars/Holograms: Though never referred to as ‘holograms’ as such, these feature predominantly in the film. For example, one of the corporate heads is suffering from terminal cancer and has had his body put in a state of hibernation. His mind, however, remains fully function and an ‘avatar’ (a holographic representation of him) continues to act as the functioning head of the corporation, albeit only within the confines of his office. As mentioned before, holograms are also used to ‘cloak’ certain objects and sometimes create very believable deceptions (such as the six-star hotel).

Surveillance and ‘Bugging’: Mini-robots disguised as very believable imitations of dragonflies (and to a lesser extent, beetles) are used throughout the film for audio and visual surveillance and the projecting of holograms. If you think that you have been ‘bugged’, then you are probably right!

the Spirit and the Flesh: Several characters (and one in particular) practically live inside the CyberLink. One such character’s body is a complete mess (he is severely overweight and is always ‘jacked in’) while his ‘spirit’ seems almost free within the virtual confines of the CyberLink. the CyberLink also offers a sort of perpetual ‘afterlife’ for those who have died in the real world (much like Armin Mueller-Stahl’s character in ‘the Thirteenth Floor’).

Social Engineering: Suppose that chaos theory is true; that every action and every decision radiates outwards and has an effect on other things and other actions and other decisions, exponentially increasing as it pushes out. Now suppose that chaos theory is somehow controlled. That someone higher up is pushing all the buttons, willing us into certain actions and certain decisions that is slowly shaping our culture. Now imagine that person ‘higher up’ is one of five corporate heads, who are all out to win a game of wits with human beings as the game pieces. Scary, no? This is the BIG issue in ‘Avatar’, and the one that ninety percent of the film is structured around. So what if the game has brought great prosperity to the people of Sintawan; it’s still motivated by greed, is it not? Is destroying the game worth the cost destroying modern society? You decide.


I hope this one is as good as the first two movies I said. I am going to watch these movies right away.
All I know is the last airbender and the Avatar by james camaroon. So what is this film all about?
_________________
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