Damn, two and a half months without posting… not good, especially for controlling spam. Well, to let you know that I haven’t totally forgotten what I’m supposed to be doing here (despite my growing laziness), here’s a video for the latest Christmas jingle originally found on The Huffington Post.
Since we’re being so festive(us), here’s another holiday classic from Johnathan “Code Monkey” Coulton.
io9’s Charlie Jane Anders is looking for the most cyberpunk places in the USA. Think you know of a place that qualifies?
Cyberpunk is no longer the future. We’re living in an age in which many of the visions of creators like Bruce Sterling, William Gibson, Pat Cadigan and Ridley Scott are invading our world today. (Opening paragraph from io9 article)
But you already knew that. Right?
We’ve been following the technologies and events that show how we are rapidly advancing to a cyberpunk world, even if some of it is by accident. Hacker wars, cybernetics, the Internet, megacorps, … these are now part of everyday life. And io9 is looking for places in America that show the country hasn’t devolved into an ultra-conservative tea-fag-party run by brainless rape magnets. There are people who do read Gibson and Sterling, opting to use Ayn Rand for kindling for their oil-barrel fires. While other cities of the world have already made such the conversion, and inspired the cyberpunk vision, io9 wants America to join the party, whether it’s a private hackspace or a major metropolitan sprawl fulfilling the cyberpunk prophecy.
From theory to practice. The sudden interest in finding cyberpunk places can be traced to an essay, Cyberpunk Cities: Science Fiction Meets Urban Theory by Carl Abott that was published in 2007. You can download the essay from here via the Pasta & Vinegar blog. P&V found the essay interesting, but this particular paragraph caught his attention:
Because the cyberpunk subgenre draws on ideas that ascribe power to technological change and global capitalism as all-encompassing forces, it offers relatively little direct guidance for planners. However, it does suggest the need for flexibility, for seeing plans as reflexive processes intended as frameworks for responding to inherent instability. It also suggests the value of creating opportunities for spontaneous and informal social institutions by loosening building codes, preserving low-rent commercial spaces, and making information infrastructures as ubiquitous and cheap as possible.
In other words, planning should be less like “planning” and more like “adapting”. Are there any places that are like that in America?
Yep…
Vegas, baby! You want to focus on the underground? Las Vegas would be the place to start. Beneath the glitz and glamor of the strip…
… lies a very different reality of Vegas.
More pics like these can be found on the Place Hacking urban exploration blog, where they find not only a moment of clarity regarding their activities, but an underground economy that could very well be the definition of cyberpunkness:
Given that our crew has now started squatting space in London, are we really all that different? And if we are bridging the gap between urban explorers and hobos, tramps and bums, following Anderson, what are we? Does that dreaded monstrosity the prohobo – the hobo that chooses to be homeless yet retains the ability to photograph, blog and scam the internet for money as well as picking pockets and robbing Liddle for fixtures to BBQ vegetables looted from the skip actually exist? Is this Donna Haraway’s cyborg, neither nature nor culture, human nor computer, neither employed nor homeless? Are we becoming as liminal as the spaces we increasingly reside in? Are we finally getting close to the meld? I hope so, cause I can’t wait to pop.
OmniCorp Detroit. (Official OCD website/blog) The former Motor City has been one of the U.S.A.’s most cyberpunk cities for some time now.
Just a couple of minor details to make it complete.
OCD is best described as a group of artisans and tinkerers who are into, as they put it, making, breaking, reshaping and hacking all sorts of things! They hold events like Maker Faires and Open Hack Nights. Sound like the kind of group that could be helpful in an urban wasteland.
Microsoft’s House of the Future. Touch-top tables? Refrigerators that can order food when you run low? A hot tub with an underwater music system?
A full-size model already exists, complete with digital devices for walls and tabletops in the kitchen and living room. It’s the kind of pad that only corporate-type cyberpunks - like Bill Gates - can afford. Dare to dream.
Other points of interest. Some other spots include a hackerspace in New York City, a latino art gallery in San Francisco, and a converted Los Angeles warehouse.
Think you know of a place that qualifies? Shoot an email to tips@io9.com, and if it does, it just might appear in io9’s next issue of The Most Cyberpunk Places in the U.S.A.
Overview: Billed as a “Tribute to the cyberpunk genre,” Perspective gives us a rather unique… perspective… of a cyberpunked future, where VR is the drug of choice to escape the harsh reality of… well, reality. Mehmet Can Koçak shows us one person’s escape to a VR fantasy by not just following him with a camera, but with the person AS the camera as we look through the hobo’s eyes. It’s perfectly understandable if you suddenly feel like hunting shamblers, cyberdemons, or zombies with roast-turkey headgear…
After all, it’s called “Perspective” for a reason.
We “watch” as the hobo purchases a cartridge from a shady dealer then heads into a wreck of a building where he jacks into his Commodore 64T…
64 Terabytes of RAM… on a Commodore 64… it can happen.
… and dives into a fantasy encounter with a redhead girl. Until an apparent glitch causes more than a program crash.
There once was a girl named Alice… At a running length of only ten minutes, Perspective doesn’t have much time to present in-depth themes. The one main theme is the mirror; How we see ourselves in reality and fantasy, and how the two can suddenly become fused together to cause no end of confusion. Or as Friedrich Nietzsche put it, when you gaze long into an abyss the abyss also gazes into you.
Conclusion: Short-n-sweet. ‘Bout all I can really say. Koçak’s piece shows some potential for something more like, let’s say, a whole series of first-person movies; Short, interwoven films showing life in this future, and the viewer gets to choose what character’s eyes they would like to experience it. Might be a challenge to make, but it would a radical new way to “watch” movies.
If the MPAA has its way, bill S.3804 will be shoved through Congress so fast that they won’t notice that it mimics tactics used by China and Iran.
Congratulations, America! You have become the enemy you fight.
He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you. (Neitzsche)
The “Bill” is currently “in committee,” meaning that some congressional members are reviewing the “Bill” to see if it is something that can easily pass, if some tweaking is necessary, or if it should be dumped altogether. If you want to see this “Bill” for yourself (you need some bathroom material or a cure for insomnia) you can find the full text on GovTrack.us where you can also track its progress.
Many bills do die in committee, so the odds are against this one surviving. But if it does survive and becomes law…
The bill creates two blacklists of Internet domain names. The first can be added to by a court, the second by the Attorney General. Internet service providers (everyone from Comcast to PayPal to Google AdSense) would be required to block any domains on the first list. They would also receive immunity (and presumably the government’s gratitude) for blocking domains on the second list.
Which sites would be tagets? Anyone “dedicated to infringing activity.” But read on…
Well, it means sites like YouTube could get censored in the US. Copyright holders like Viacom argue that copyrighted material is central to activity of YouTube. But under current US law, YouTube is perfectly legal as long as they take down copyrighted material when they’re informed about it — which is why Viacom lost their case in court. If this bill passes, Viacom doesn’t even need to prove YouTube is doing anything illegal — as long as they can persuade a court that enough other people are using it for copyright infringement, that’s enough to get the whole site censored.
And even without a court order, sites can get blacklisted just by order of the Attorney General — and the bill encourages ISPs to block those sites as well. ISPs have plenty of reason to obey a government blacklist even when they’re not legally required.
The US Constitution says that we’re supposed to have “due process” in the courts before a site gets its plug pulled, but in our post-9/11 security-surveillance state, due process can now be bypassed and a site can be shut down even though it never did anything wrong. If a person has a problem with a website, all they need to do is complain and … 404: Site not found. Imagine WikiLeaks, or even our own Cyberpunk Review site, being on someone’s shit-list. WikiLeaks can be considered a site “dedicated to infringing activity,” and Cyberpunk Review’s media and news about a genre that is inherently anarchistic and criminal in nature…
History Never Repeats… unless they didn’t study. I remember hearing something about Australia’s attempt at blacklist censorship failing. If someone down under can let us know what the status of that attempt. In the mean time, US citizens can sign an online petition to help stop S.3804.
Better still, let’s try this: Find out the congress-critters supporting this “bill” and the members of the MPAA and follow them around in speaker-packed cars or large boom-boxes set to continuously play FSR’s “Fuck the MPAA” to get our message across.
To be honest, I don’t think any of those corporate whores will ever get the message unless they’re raped in public.
“I ACTUALLY think most people don’t want Google to answer their questions,” said the search giant’s chief executive, Eric Schmidt, in a recent and controversial interview. “They want Google to tell them what they should be doing next.”
“G” as in God? Whether you found it online yesterday (31-Aug-2010) or in today’s dead tree edition (or just hearing about it now), cyberpunk’s godfather William Gibson gives his op-ed about Google’s want of playing god in telling us what to do.
OK, it’s not because of Google’s want of telling us what to do, but the apparent need of anyone who uses the big “G” to decide what they want to do. Those who use G’s services actually contribute to the search giant’s ability to make decisions for us. Gibson likens G to a genie that can grant our wishes:
We would all very much like to be sagely and reliably advised by our own private genie; we would like the genie to make the world more transparent, more easily navigable. Google does that for us: it makes everything in the world accessible to everyone, and everyone accessible to the world.
Of course, the “everyone accessible to the world” part is what some balk at as we find our personal information being more and more exposed online.
The inmates run the prison. The idea of Google being a sort of panopticon prison, with G as the proverbial omnipotent warden and us as the inmates, but Gibson argues that is only half-true:
In Google, we are at once the surveilled and the individual retinal cells of the surveillant, however many millions of us, constantly if unconsciously participatory. We are part of a post-geographical, post-national super-state, one that handily says no to China. Or yes, depending on profit considerations and strategy. But we do not participate in Google on that level. We’re citizens, but without rights.
As said before, it’s the people who use Google’s services who actually contribute to the building of the panopticon, and the real problem comes in when those people (over)expose themselves on social network sites. Gibson sees possibilities in a fake identity industry for such carelessness since Google doesn’t seem interested in protecting users from their own stupidity.
Don’t blame the government. It would be easy to do so IF the advances in technology wasn’t so quick. But when the only law Google follows is Moore’s Law, technology will always stomp a mud hole in legislation’s face and walk it dry:
We also seldom imagined (in spite of ample evidence) that emergent technologies would leave legislation in the dust, yet they do. In a world characterized by technologically driven change, we necessarily legislate after the fact, perpetually scrambling to catch up, while the core architectures of the future, increasingly, are erected by entities like Google.
Then again, Google is “a very large and powerful corporation to boot.” Too big to fail, and far too big to give a fuck.
Paul Buchheit is the mastermind behind Google’s Gmail and AdSense, and founder of FriendFeed (now part of Facebook). Click the pic to read the post being described.
A familiar storyline? Computer programming genius Paul Buchheit has his own blog (who doesn’t these days?), and while most of his posts have been geared to the techno-geeks, a post from last week has a certain, eerily familiar ring to it:
Sometimes we catch a glimpse of the truth, and discover the actual rules of a system. Once the actual rules are known, it may be possible to perform “miracles” — things which violate the perceived rules.
Shortcuts and Loopholes. Paul describes how he feels that hacking fits this description of violating perceived rules, and gives his work with AdSense as an example. Hacking these days goes beyond the computer:
Hacking isn’t limited to computers though. Wherever there are systems, there is the potential for hacking, and there are systems everywhere. Our entire reality is systems of systems, all the way down.
This hacking of systems results from a certain mindset… the “hacker mindset”… that breaks from the “straight and narrow” path in favor of “shortcuts and loopholes”; That there are always undiscovered areas of opportunity, and those who can exploit them become incredibly successful at the expense of others (an old obsolete system or innocent victims). Of course, these hacks can result in a vast improvement of something (Google’s rise as the predominant search engine) or an apocalyptic failure (bailouts).
Hack the future. Most don’t bother about finding the truth or even care if someone else does. Some people are content with just finding the truth about reality, but hackers try to bend that truth to see if it breaks or if it holds up. Those are the people, Paul says, who will make the future for us:
To discover great hacks, we must always be searching for the true nature of our reality, while acknowledging that we do not currently possess the truth, and never will. Hacking is much bigger and more important than clever bits of code in a computer — it’s how we create the future.
This post has been filed under Internet Find by Mr. Roboto.
If you’re into Tetsuo and Machine Girl, have I got a treat for you; A trailer for the upcoming movie RoboGeisha, due to hit theaters this fall… at least in Japan… hopefully for the rest of the world as well. There’s already a RoboGeisha website to browse. Not much there for now, but bookmark it as new info will become available in the near future.
I’m not going to try to explain this, as there’s not much info available for now. All I can say is, watch at your own peril… and use some eye bleach if needed. Meanwhile, I’m going to look for Machine Girl and Tetsuo 2 to review. Enjoy!
DISCLAIMER: Cyberpunk Review is showing this trailer for your personal information only. We cannot be held responsible for your welfare if what you see cannot be unseen. Viewer discretion is HIGHLY advised.
Not safe for work, church, school, families, PTA meetings, governments, children, pets, prudes, conservatives, Republicans, religious zealots, right-wing nutcases, robophobes, or weak stomachs, hearts, or minds.
Tim Berners-Lee, inventor of the World Wide Web, is now concerned that the net has become more powerful than even he believed possible. Now, he wants to put it under a microscope so he/we can understand why.
The Web is God? When Tim Berners-Lee first created what would be the foundations for the Web (not the Net, WEB. Let’s get our usage right.), he could not have predicted the explosive growth seen in the 1990s through today. In fact, the Web is now so ingrained into our cultures that humanity is practically fused to it. This fusion is causing its own problems.
That is giving Berners-Lee some cause for alarm. To study the effects that the Web is now having on humanity, he has founded the Web Science Research Initiative and came up with the term Web Science to describe what the WSRI is studying:
When we discuss an agenda for a science of the Web, we use the term “science” in two ways. Physical and biological science analyzes the natural world, and tries to find microscopic laws that, extrapolated to the macroscopic realm, would generate the behavior observed. Computer science, by contrast, though partly analytic, is principally synthetic: It is concerned with the construction of new languages and algorithms in order to produce novel desired computer behaviors. Web science is a combination of these two features. The Web is an engineered space created through formally specified languages and protocols. However, because humans are the creators of Web pages and links between them, their interactions form emergent patterns in the Web at a macroscopic scale. These human interactions are, in turn, governed by social conventions and laws. Web science, therefore, must be inherently interdisciplinary; its goal is to both understand the growth of the Web and to create approaches that allow new powerful and more beneficial patterns to occur.
As you can see by this ’simple’ map, the Web affects many aspects of society, so there are many aspects to Web Science to consider. It’s even possible that the Singularity may be lurking in here, with SHODAN and Skynet.
Weird Science, or necessary discipline?
(From NewScientist) How does understanding these emergent systems affect society?
Because if you get it right, you can create a new social phenomenon that changes how people operate. Take designing an online market for second-hand goods: if you get the website’s balance of social and technical wrong, or mess up its trust and reputation model, it won’t work. But if you get it right, you create a market for used goods internationally that can affect the price of products around the world because it provides the price of the second-hand alternative. It is a web phenomenon that changed the way society works, and we need a science to understand it.
Web Science sounds like something that people who work with the Web need to know, not just for designing sites, but for security and privacy as well. But is it something worth getting a PhD for? The biggest test will be when… or if… they are able to but the science into actual use for everyday people. Remember: In theory, there is no difference between theory and practice. But, in practice, there is.
Synopsis: With Terminator: Salvation coming this Thursday, it’s time I got my review circuits ready by doing a short review of a short movie, Maya. I found this short while searching for cyberpunk music on YouTube. A vid for a song called “Organics (Slowmotion Mix)” by Evil’s Toy had a link to MetaCafe and Maya. Note: The version embedded and reviewed here is the Final Cut version.
The film starts out with Maya, decked-out in some near-future laser-tag gear, stalking a structure with some guards. She manages to take out one guard, but winds up getting shot dead, only to awaken back in reality… or what we think is reality. From there, we witness Maya “reawakening” with different outcomes, like a dream within a dream. [Obligatory “Yo, Dawg!” goes here]
While the philosophical use of VR is nothing new, this piece does make the best of its ten minutes of low-budget cyberpunk. It certainly fills a need for a shot of cyberpunk when you need more than a music video but you don’t have the appetite for a feature-length film.
BONUS TRACKS:
Here’s the video that lead me to Maya. Lady-bots and gentle-borgs, I give you German EBM band Evil’s Toy with “Organics (Slowmotion Mix).” Enjoy!
A familiar story. Every so often I do random web searches for some of my favorite songs/moves/etc. When I used Yahoo! to look for info on Queensryche’s classic track “NM 156,” I decided to use the opening line “machines have no conscience.” The very first result was this page; A bit of science fiction verse. Not exactly what I was looking for, but as I read it I had the feeling that I was reading some cyberpunk poetry… and what could very well be a story from the Terminator universe set in the future.
It Could Be An “Album.” The poem is divided into seven parts that tell a story of one person’s fight against the “Metal Gods,” the machines of the future:
1. Machines Have No Conscience
2. Metal Gods
3. Revolution
4. Terminate 156
5. My Mission
6. Next Action
7. Stand Proud
As you read, you might get the feeling of deja vu. Not because of the storyline itself, but some of the lines come straight from Queensryche (Sadistical lists them as one of his favorite bands).
I have to give him cred, Sadistical has put together a short but sweet verse that could very well become a concept album given the right music and musicians.
This post has been filed under Internet Find by Mr. Roboto.
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